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“Miss Gordon, with all his book larnin’ he knowed no more ’bout black-jack than I know ’bout divin’ fer pearls, and the Bullock boys thort he was no good anyhow, ef he couldn’t beat their Par at cards. So one mornin’ they met him as he was goin’ to school, an’ they give him a good beatin’ up, then flung him in Rodd’s creek to cool him, bein’ winter. He crawled outer the creek, Miss Gordon, an’ never went to the school no more. It shorely was a jedgement on him fer playin’ those wicked card games. Moses, parse the ketchup.”,

When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line.,

When the party reached the house and St. Elmo had been received with every manifestation of joy, Mr. Wopp in one burst of eloquence explained how his boy Moses had found him. Moses, the hero of the hour, stood abashed before the encomiums of Mrs. Mifsud. He twirled his hat at a fearful rate on his doubled fist, standing awkwardly on one foot the while.,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.

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“Stop and chin with me just a little, won’t you, marmsey?”,

May Nell looked at him with wide eyes. She saw that he was not a vineyard workman, his clothes were too fine. She did not see them in detail, the large checked trousers, the shiny gloves, and the big diamond, but she felt instinctively that one who could dress so was different from the men she knew. And the look in his face made her cold.,

“You haven’t noticed Jerusalem Crickets, yet,” Billy said impressively, anxious to distract attention from the little drama at the plate. He placed his second cat on the floor, a gaunt creature, brindled in many colors, with great scared-looking eyes. “She’s afraid of everybody. She never had any home till I brought her here, poor thing! Just kicked from door to door. And Geewhillikins, too—he was a tiny kitten put in a sack to drown out in the creek. And he was so plucky he just wiggled to shallow water and hollered for a deliverer. Of course that kind of cats don’t have manners. How could they?” Billy was a fine special pleader.,

“Stop that there ‘Dead March of Saul,’ an’ go put on yer overalls,” ordered Mrs. Wopp, “what’s the idear of the gardenin’ tool, go git the littlest shovel to put inter the chimbly, an’ don’t let the grass grow under yer feet, neither.”